Clearly downhearted after a disastrous and seemingly endless audition, the producer-director Thomas is about to call it a day when Vanda, appears all of a sudden claiming -demanding, to be exact- she wants to audition for the part of the leading actress. Her clothes, appearance and attitude are evident of her vulgarity, something which obviously annoys Thomas. Unwillingly, he lets her try a few lines, thinking there is no better way to end this torture as Vanda won't take no for an answer.
And then it happens. The minute she reads the lines, she makes the part hers. Vanda is literally tranformed into a sensual, dominant being, the perfect woman for the play. And perhaps, for Thomas.
Never having seen a similar concept of "theatre being incorporated into
the cinema" before, it took me by surprise the fact that I quickly
adjusted and more than enjoyed this pleasant film.
The alternation from mere abhorrence to emotional and later on, sexual tension between the two characters could only be described as "unfeigned". Thomas's abnegation of the truth about his inmost thoughts and desires, makes him vulnerable to Vanda who will gladly manipulate him into granting her every wish and caprice.
We are virtually watching Thomas's transformation; his gradual liberation from the constraints and restrictions he has been putting up with all these years. During this otherworldly, mysterious night with Vanda, Thomas has the unique chance of fulfilling his destiny which is no other than to serve, obey and surrender to his mistress. Finally, he receives the greatest gift of all; pure and complete helplessness, nothing less than his goddess promised him.
This film is definitely worth watching; if not for the outstanding performances of the two actors, then certainly for the introduction into the world of the S&M, from a whole new perspective. That of love.
